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Talking with singers: Anna Devin

Talking with singers: Anna Devin

Devin feels "completely at home in Handel" and relishes the collaborative process of pulling the music off the page. "You can't actually be wrong; you can have a difference of opinion between you and the conductor, but there's nothing to say that you're wrong. And I quite like that, because it means we can have interesting discussions about why you should do one thing and why you shouldn't do another."

Jenna Simeonov
In review: Isis and Osiris

In review: Isis and Osiris

As Isis, Cesaroni was a revelation. Her incomparable voice flew throughout the Jane Mallett with ease and aplomb, and I've said this before, she just gets better every time I hear her. Her darker colour belies the height and beauty she can achieve at the top of her register and every note is properly placed and spins and sparkles. Her characterization of (as she puts it) "the bad b*tch in charge" was a genuine treat.

Greg Finney
Watch: Rolando Villazón brings Don Giovanni to life

Watch: Rolando Villazón brings Don Giovanni to life

He talks with historians and experts about the public hype around Mozart's tale of Don Juan, hears the sound of period instruments, learns the dances of the day, and explores the dangers of special effects in the 18th-century. We find out what the audience ate and drank during the show, how they wandered around the theatre, chatting and singing along.

Jenna Simeonov
....AND she was an opera singer

....AND she was an opera singer

She got bored with Sérannes, and began an affair with a young woman, whose parents responded by shipping the girl off to a convent. Julie responded in turn by stealing the body of a dead nun, putting it in her lover's bed, and setting the convent on fire so they both could escape. Three months later, Julie's lover had had enough, and she went back to mum and dad. Julie had been charged for her crimes in absentia, but the authorities apparently didn't catch her because they thought she really was a man.

Jenna Simeonov
Don't miss: She's The One

Don't miss: She's The One

"Women are at the centre of each story in this programme," says Bardua. "Some are tied together by classic Canadian imagery, like tempestuous weather and isolation. Others are more intimate and personal - mother-daughter relationships, or questioning sexuality."

Jenna Simeonov
Opera 101 with Kristine Dandavino

Opera 101 with Kristine Dandavino

On Sunday, April 10, Oshawa Opera will be taking us back to school with their upcoming Opera 101: What the Fach? Sixteen local singers and emcee Alexis Ward will take the stage, with Artistic Director Kristine Dandavino at the piano to bring us the highlights of the "standard canon". We had a quick Q&A with Kristine to find out more about this show.

Greg Finney
Lost history: opera's most famous premieres

Lost history: opera's most famous premieres

When a few late-night serenades ended in street brawls between amateur guitarists and the husbands of the ladies at these windows, the police gave up their bribes and banned strummed instruments played by young men after sunset.

Jenna Simeonov
Organizing your scores: a serious business

Organizing your scores: a serious business

So, what's your method of choice? Maybe you're a strict Dewey Decimal supporter, or a die-hard Library of Congress fan. Maybe your system is simpler: "the pile on the piano over here" and "the ones not on the piano". And hey, if it works for you, let's not ruin a good thing.

Jenna Simeonov
Power plays and crossing lines

Power plays and crossing lines

So, it comes down to an imbalance of power, and a blurry line between standing up for oneself and pissing off someone who can give an artist a serious leg up in their career. People who take advantage of their power within a competitive industry aren't good people - that's simple. And it's only fair to point out that the majority of people with whom I've worked have passed The Dad Test with flying colours.

Jenna Simeonov
In review: Juan Diego Flórez's Rosenblatt Recital

In review: Juan Diego Flórez's Rosenblatt Recital

It's always been an amazing thing to hear Flórez sing coloratura; there's efficiency in the sound, yet it's not necessarily light. His machine-gun approach is full of precision and control, and he always seems malleable and flexible despite all the work involved. Flórez treated us to "Cessa di più resistere" from Il barbiere di Siviglia, where we heard the expertise and ease that gave the tenor his star status.

Jenna Simeonov

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